Wednesday, 31 March 2010

Song Crush No.3

Los Campesinos! – The Sea Is a Good Place to Think Of the Future





A lyrically beautiful track from the ever surprising Los Campesinos! from their album Romance Is Dead. The third track from the end of the album sees the seven-piece band move away from musings of sexual disappointment and anguished break-ups, to a beautiful and revealing inner monologue about a depressed and anorexic friend.
Perhaps not the happiest and cheeriest moment LC! have had during their time, but this new and almost conventional (but note in no way boring) approach to the composition of this track is refreshing and certainly different.
The brooding ‘cello and powerful chorus really mark this one out and intriguing and striking lyrics such as ‘I ask her to speak French and then I need her to translate, I get the feeling she always makes the meaning more significant’ are the work of genius.


Check it out here: http://www.youtube.com/watch?v=N6booM03nKI


Maybe a tad sinister of me, but I really love the album cover...

Rachael Recommends (because everyone loves alliteration)

Listen to: Anarchist Cookbook




http://www.myspace.com/anarchist.cookbook


http://www.facebook.com/#!/pages/Anarchist-Cookbook/145673501167?ref=ts



Goodnight Lenin





http://www.myspace.com/goodnightlenin

http://www.facebook.com/#!/pages/Goodnight-Lenin/179577740208?ref=ts

Un-signed Review

Review: Anarchist Cookbook (@ 444 Club w/The Young Runaways and A Genuine Freakshow), Rainbow, Thursday 11th March 2010.



First on the bill tonight were Anarchist Cookbook – a self-proclaimed ‘four-piece art-revival through the medium of guitarers playing notes, a drummist hitting things and a voicer singing some words’. Whilst coming to the stage I heard a nearby crowd member remark at the attractiveness of all four members and a hope that they could back it up with their music... I was definitely intrigued to see what these boys could do.

Personally, I could hear influences of Bloc Party, Radiohead, and 65 Days of Static in Anarchist Cookbook’s set – not exactly three acts that any band could easily imitate or draw influence from. All four members clearly knew their way around their instruments: Nick on drums delivered with a huge amount of drive and effervescence (and for once, according to the band, kept his shirt on); the multi-talented Adam and James effortlessly moved from guitar, to bass, to keys, and round again, with some pretty impressive slap-bass from Adam, and some great solos from James; and lead-singer Tom inflicted every lyric and line with vehemence and fervor.

Although Anarchist’s Cookbook’s songs had coherence and consistency, each track had its own intrinsic and personal quality that made it unique and exciting. Some of this excitement however must have been from the energetic excitement oozing from the four boys on stage and spilling out onto the adoring crowd. The captivating (and slightly difficult to remember title) We Are Conceptualists [4132_213424] (I think), has been in my head all week, and Climbing Onto My High Horse is a great number that in my opinion, will definitely appeal to the masses.

Teasing the audience throughout the set with hints of an EP which may or may not appear, at sometime, in the near-ish future, was most definitely getting hopes up. Hopefully the boys will deliver this one soon, as judging from the reactions of the crowd, it would definitely go down rather well.

The only small criticism I could have of this extremely talented bunch is the flow between songs. A couple of longish gaps between songs broke the mesmerizing and hypnotic power and tension which their songs instantly possess; however, all four members appeared to be happy to engage in a little on-stage banter whilst they changed instruments and moved around stage. Having said this, I do appreciate the difficulty of changing instruments on stage whilst maintaining a flow and regularity to the set.

Anyway, negativity aside, this is not your average student band. An interesting mix of complexity; intriguing and slightly dark lyrics delivered passionately and energetically by lead singer Tom; Korgs, samplers, and pedals a plenty; and overall, just something that little bit different which every band ultimately strives for.

Interview

Twin Atlantic - Two of the cheeky Scottish chaps take a minute to chat albums, pop-ups, and Scotland.





For our readers that may not have discovered you yet, could you please introduce yourself and describe your sound in five words?
Ross: Hi, I’m Ross (McNae), I play bass and piano in Twin Atlantic, and this is Sam (McTrusty), he sings with his guitar. And 5 words: Loud, Quiet
Sam: Ambiguous, Scottish Rock.


How did it all start off for you guys?
Sam:
By being distracted at school. Me and Ross went to school together, and became friends through liking the same sorts of music, the whole pop-punk American bands that were big at the time. Because of that I thought it’d be cool to play guitar, Ross had already picked it up from his Dad. Then we got older, stayed in touch with music, and thought we’d have a serious shot at being in a band. Because we got to know everyone in the local Glasgow music scene really well, we got to meet Barry and Craig, and they had the same sort of aspirations etc.


What kind of bands were in you into back then?
Sam: New Found Glory, Blink 182, RX Bandits, well we still are into them.
Ross: Early November, Brand New, Motion City Soundtrack. We’ve come in a bit of a cycle... Sam, because of his family liked people like Bruce Springsteen, Frank Sinatra. I listened to David Bowie, Status Quo, Roxy Music, T Rex. This is the music I think we’d listen to now. And back in school we listened more to the other bands.


Would you agree that people’s comparison of you to Biffy Clyro is an accurate and fair one?
Sam: No... It’s fair enough. They’re a really great band. I mean, we’re Scottish, and play rock music, and I sing in a Scottish accent, so I can understand why people make the comparisons. But if you listen to our record after one of their records, it’s completely different. They themselves have said we’re a band in our own right, so, the fact that it’s come from their mouths is enough justification for me to say it’s not a justified comparison.
Ross: It’s quite flattering though to be compared. They’re one of the bands when we were starting out that were doing really well. It’s nice to be compared to someone who’s doing that well.


How was it playing with Biffy and Smashing Pumpkins?
Sam:
It was a bit of a whirlwind actually! We got added to the Biffy tour at the last minute and it was the first big tour we’d ever done. We’d toured before, but in places the size of this (o2 Academy 3). Playing with Smashing Pumpkins was insane. It was the equivalent of playing the NEC. We’d only been a band for a year...and playing the biggest venue we’ll probably get to play. Very cool to get picked.


Are there any particular artists that have influenced your sound and lyrics?
Sam:
We’ve all got different influences. My two most influential artists would be Bruce Springsteen and Nirvana.
Ross: I honestly don’t know. I listen to such a mish-mash of music. Queen, big influence. It’s different to the way that you play, and the bands you aspire to be, and the bands that made you want to be in a band. It’s all different.
Sam: Do we even listen to many bands that we sound like?
Ross: I don’t think so.
Sam: The reason we play the music that we play is that we’ve got that feeling inside us that makes us play stop-starty crazy music. And because we get it out of our system, we don’t really listen to them.
Ross: The weirdest band is probably, Radiohead, and they’re not weird.
Sam: The Dismemberment Plan....


Are there any bands you’d like to play with in the future?
Sam:
Ross’s prayers have been answered. He would have said White Lies and we’re about to play with them. I’ll say Foo Fighters, because they’re Nirvana-like, and they’re an incredible band. I know Craig would say the same. I’d like to play with MCR. I’m a fan of the big stadium, theatrical thing.
Ross: That’s also the weird thing, talking about bands that influence you. They probably are a big influence now, but if you’d have asked me that two years ago I would have said no, but now I enjoy the theatrics.
Sam: MUSE, Muse, I must mention Muse.


I’ve heard good things about your live shows, can I expect any surprises later on tonight?
Sam:
We all play completely naked, and at the end there’s fire. We based our whole band on just, being normal people. An honest approach to just playing songs. We don’t like over-dressing them. We don’t want to show off, just, play our songs.
Ross: Sometimes we get embarrassingly into it though...
Sam: A lot of people, you can tell they’re forcing it. You know, they’re trying to rock out and flicking their guitar and their hair about and stuff. I mean, we do that, but it just, kinda happens when the four of us get together. It’s natural.


I love Caribbean War Syndrome and Lightspeed especially on Vivarium- Do you guys have a favourite track and why?
Ross:
They’re my favourites too. Although it doesn’t sound anything like Queen, for me, it has that same movement. The proggy thing about it, and it veers off in lots of different directions. That’s the sort of thing that excites me about music.
Sam: I don’t know. I always say a song, but don’t mean it. I’m not happy with any of them. I think we can be a lot better. The songs we have now – I’m like ‘they’re o.k.’, but we don’t have the thing we’re aiming for yet. We’re a forward thinking band and when you’ve played a song and it’s done and recorded, I’m always thinking of the next things, rather than the ones that have happened. I don’t think any of them are good enough yet.


Are you planning on playing any festivals in the UK this summer?
Sam:
Definitely. We’re just trying to schedule out the rest of our year. We’ve had a pretty crazy start... the Enter Shikari tour, having to reschedule these dates because of that, and we’re going to Europe, then to America for two months. We don’t know what we are playing... a lot of mainland Europe festivals. We’d love to play Reading and Leeds, and Glastonbury, you know, the bigger English festivals.
Ross: We’ve only really played Download, the more rocky ones.
Sam: This year we want to play the more normal, earthy, I was going to say down-to-Earth. But you know, the rock festivals are far removed from reality...
Ross: I don’t think we fit into either though. It’s a challenge for us. We tried the rocky ones and we went down really well, people came to see us and stuff, but this year we’d like to do the other end of the spectrum, and then hopefully we’ll find the way to go from there.


Where do you hope to go from here, after your year of craziness?
Sam:
More craziness. More touring. As much as we can. There’s so much competition with new bands at the moment, you’ve always got to be on top and get as many people interested as possible. So touring, and then the end of the year, recording. We’re doing a full length album, as we only did a mini one this time round. That’s cool though, but we think we’re ready for a full-length one now. An actual, work of art.


The album cover of Vivarium was cool though, the whole pop-up aspect:
Sam:
That was Ross’s photography.
Ross: Sam’s idea, my photography.


Finally, What’s the best thing about being Scottish?
Ross
: Just. Being Scottish.
Sam: Proving all the stereotypes wrong. I like it, especially when you go to America, and you get ‘why aren’t you wearing a kilt’? Seriously, what’s wrong with you, it’s 2010, we don’t all eat porridge, have beards, and ginger hair.
Ross: Getting away with being really moany. You can just be like ‘f*** off’. Really, really negative. Just play the nationality card.



Thanks guys.

Song Crush no.2

'White Blank Page' - Mumford and Sons



From 'Sigh No More', Mumford and Sons' debut album.


I love Mumford and Sons. Their beautiful and haunting folky-country-esque indie sound (yes...) is a breath of fresh air from the generic power chords, unimaginative lyrics, and dreary delivery found in far too many indie groups today. This four-piece London band, enjoy command of an array of both standard and exotic instruments , (four vocalists, three guitar players, two drummers, a pianist, an organist, a bass player, a banjo player, dobro player and a mandolin player). Maybe this unusual lineup played some part in their recent signing to the prestigious Island Records, (famous for fronting acts such as U2 and Amy Winehouse).
A perfect example of M&S's signature sound, ‘White Blank Page’ has a striking simplicity to it, opening with merely an acoustic guitar to a stunning vocal accompaniment. Marcus Mumford's incredible voice and delivery, is sure to have any girl completely transfixed and believing every word. After the first chorus a stirring folk-y instrumental kicks in. The waltz-like rhythms will have you swaying along and the vocal harmonies will have you mesmerised.
Beautiful. A song for the happy times and similarly, the times that you need cheering up with a bit of folky-goodness...

Interview

Kate Walsh


Gorgeously quirky, singer-songwriter Kate chats Stevie Wonder, music therapy and the health benefits of the Hula Hoop...



For our readers that may not have heard your music, could you explain your sound in five words?
"Melancholic, acoustic, honest, lovey-dovey, and, sincere."

If I were to turn on your Ipod, what five artists would be on your recently played list?
"I don’t actually listen to it... but it would be... The Cure, Classical ‘cello music, Midlake, maybe a bit of Radiohead, and I don’t know, Bon Iver maybe."

If you could open for any artist on tour now who would it be?
"Midlake definitely. Have you heard of them...? It’s like Neil Young, meets Radiohead, meets The Eagles, or Crosby Stills and Nash. It’s amazing."

When or what event led you to create music?
"I always wrote poetry when I was little, and I started learning the guitar when I was 14... well I picked one up. I just started writing songs... It seemed a natural progression from poetry to song writing. Because I was a teenager I wasn’t just into practicing the classical music anymore, and I was more into the outpouring of adolescent emotion."

Your songs always appear very personal. What’s in your heart when you write your songs?
"Well it’s about longing and yearning. It’s funny though. I’m not in that space anymore. It’s very weird. I’ve had a life-changing year. Up until a year ago, my songs were about yearning and wanting things I didn’t have, and being a bit bitter. So much has opened up for me this year though. My song writing is changing a lot now. I don’t think they’ll be like that anymore. Album number four is going to be very different."

How did you feel when your second album ‘Tim’s House’ went to number one and knocked Take-That off the top spot?
"It was absolutely hilarious. (Sounds shocked), did you hear about Stephen Gately? Awww, It’s awful. He’s only 33... Sorry, what was the question?... Yes, it was really, really funny. Because I released it on my own label, we had a small hope it would go into the top forty or something. Then it got into the top 10 and I was like ‘Whaaaat?’, then it kept creeping up a space every couple of hours, and then it was number one. We just couldn’t believe it. We’d done it ourselves, not because of a record company or a big marketing campaign. It was purely because people were telling their friends about it and wanting to share it."

Do you prefer having your own record label?
"Oh, definitely, hands down. I would have to be offered an obscene amount of money now to be signed to a major label. It’s just not worth it. Financially, it’s nice to be on a label, and I guess a lot of artists would want to hand over the responsibility. As soon as I lose control, and the first-hand experience of what’s going on... all the little successes... all the little things like the twitters, the facebooks. When you’re on a label you don’t get to see that. I’d really miss all of that. I wouldn’t enjoy it if I lost sight of all that. I’d feel like I was on an industry conveyer belt being pointed in whatever direction. It becomes very impersonal, and I need it to stay personal, because the music is very personal."

Didn’t you record your second album in your friend Tim’s bedroom?
"In Tim’s house. It’s called ‘Tim’s House’, the album. In his living room... one side of the room he’d made into a studio and the other half was a living room. Apart from the drums and the bass the third album was recorded in his house too."

You write all your own music, so where do you draw your inspiration from when you write your songs?
"Real experiences. I can’t just make up an idea for a song in my head. I wish I could. A lot of my friends think, ‘I’ve had a great idea for a song’, things like that, but I have to happen to be at my piano or guitar and be in a certain mood or feel a certain way about something that happened to me. I can’t write about things I’m not 100% about. I only know about me and what I’m doing and what I’m going through. Either it happens or it doesn’t."

What’s your favourite thing to do when you’re not writing songs?
"I’m really getting into the hula-hoop at the moment... It’s so good for your tummy muscles! You can do it anywhere... it’s free once you’ve bought the hula-hoop... I love it... and I’ve got it in the tour-bus. It’s brilliant."

I can only do it on the Nintendo Wii...
"I bet you could do it, my flatmate said that, within a week she was at it! It’s so much fun. If you put some good tunes on, I like to do it to Stevie Wonder and get down with it."

What are the five things in life you can’t live without?
"Chocolate, music, walking, five things... erm, quiet time, and my family."

Do you live your life by any advice or motto?
"Acceptance and perspective is everything. As long as you can have perspective on a situation and accept things as they are, you will be fine."

Do you have a favourite song to sing in the shower?
"‘Isn’t she lovely’ by Stevie Wonder."

I’m hoping he’ll play Glastonbury...
"Do you think so? That would be amazing. I played there this year. It was the nicest festival experience. I really hope I can go back next year."

A duet with Stevie Wonder?
"I think, that would be... I wouldn’t be worthy. He’s out there on his own on another plane somwhere. "

And finally, where do you think you’ll see yourself in ten years time?
"I’m just going to go with the flow. I am however really interested in Music Therapy. As much as I love this, with everything that is happening in my life, and my positive outlook... the thing is, when I’m sad, and I’m unhappy, and I’ve got all this stuff in my head, that’s when I write my songs. I don’t write them for anyone else. They’re real self-indulgent, wallowing songs. Now I’m happy, I don’t need to write a song about it. I’m quite happy giving out the feeling in different ways. Maybe I’ll be able to write about good stuff or won’t need to write songs anymore... I’ve been interested in Music Therapy since I was eighteen, it’s never gone away, and I’ve got something to give something back. I can always come back to this, but I’d love to be doing Music Therapy in some capacity in ten years time."

Do you not think you’re doing it now? If your songs are full of real emotion do you not think people are connecting and relating to them?
"Yes, but it starts from a very selfish point. Whereas Music Therapy, I just want to be like ‘this is all about you’. I’m just lucky people can relate to my songs and can relate to them."

Gig Review

Kate Walsh

- Birmingham Glee Club - 12th October 2009 -



There is a raw honesty about Kate’s music. As she said herself, all her songs are about ‘personal experiences’ and written in a ‘selfish way’. They are hugely cathartic, not just to her but (maybe somewhat unintentionally), to her listeners also. On stage, (although you couldn’t hear it in her voice), it was obvious that she was struggling with a sore throat. She confessed this and was hugely apologetic about having to keep stopping for water breaks, and intermittently sucking on a throat sweet.
Kate did a brilliant solo piano/voice cover of Erasure’s ‘A Little Respect’, which works beautifully as an acoustic, soulful song. Apparently she is covering a different song at each gig. To give her throat a break she also performed Debussy's ‘Bonsoir’ for Cello and Piano, which was an interesting and enjoyable addition to her set-list.
She is wonderfully professional, (despite an amusing giggling fit), and her voice sounds beautiful live - hardly differing from her records in terms of sound-quality. The gig was highly intimate and personal. This was achieved by both the venue and her chatty and relaxed manner, which ensured she gained a great rapport with the audience. Effortlessly performing crowd favourites such as ‘Light and Dark’, ‘Seafarer’, and ‘Fireworks’ accompanied by cello and keyboard, Kate had the audience completely transfixed and mesmerized. During and in between songs, the audience were completely silent, hanging on her every word.
Verdict : A long, (but in no way arduous), set by an amazingly talented singer-songwriter.

Album Review

Hot Chip - 'One Life Stand'


Hot Chip’s new album, One Life Stand sees the band taking a new, ‘no-nonsense’ approach to their music. Clear and unpretentious, the ten track album consists of some great numbers, significantly improving on 2008 release, Made in the Dark. One Life Stand appears more coherent than their previous work, and the first release off the album, the title track, is as catchy and addictive as previous singles Ready for the Floor and Over and Over.
Track by track:
01- Thieves in the Night: A great opening track, from the very start you can hear the new direction that Hot Chip are taking. The buildup of the song continues all the way to the catchy 80’s sounding electro chorus.
02- Hand Me Down Your Love: A repetitive, punchy verse of ‘hand me down your love’ and ‘open up my love’, breaks into a pretty, string-filled chorus, before returning the 90s handclaps and disco piano accompaniment.
03- I Feel Better: A great dance tune, it's catchy from the start. Surely this should be the second single? A simple synth-strings riff accompanies a vocoded vocal line reminiscent of Kanye West’s Heartbreaker... fortunately this similarity is dissipated in the powerful chorus. Definitely an album favourite.
04- One Life Stand: The title track and first (great) single to be released will appeal to a wide range of people, much like Hot Chip’s other popular singles. Extremely catchy and interesting, it's completed with intriguing synthy dissonances and a foot-tapping, hip-swinging, belt-it-out classic chorus. A great contrasting song which is sure to be a future Hot Chip standard.
05- Brothers: The midpoint of the album, Hot Chip take the pace down a peg or two. This is a pretty and unassuming track with a lovely sentiment.
06- Slush: Another ballad in a refreshing 6/8 time signature. The beginning appears to be a vocal warm-up, an interesting replacement to the usual synth or guitar riff. The melody sang by Alex Taylor is extremely sweet and poetic before the introduction of the steel pans around the midway point. This catapults the song into a beautiful and spellbinding conclusion which would surely ensure you to stop and listen if it popped up on shuffle.
07- Alley Cats: Another great track. This is a song that just makes you smile. The pulsing rhythms,and continual growth of melody and interest through the track, (courtesy of ghostly backing vocals and keyboards), make it a really great song. The harmonised ‘there is no pain I don’t know’ by all three vocalists is a beautiful moment in the song.
08- We Have Love: Taking the pace back up, We Have Love begins with a slightly trippy electronic voice sample, which resembles a babbling child; before the haunting vocal line ‘we have love’ breaks through the layers of synths. Quite a simple song and it doesn’t really go anywhere.
09- Keep Quiet: A slower number as we head towards the conclusion of the album. There are great vocals delivered on this track. Harsh synth-strings, and vocal/steel-pan backings contrast the intriguing and calm melody. The song ends suddenly, adding to the intrigue. A really good but probably overlooked track.
10- Take It In: A lovely end to the album, the dark verse proceeds the romantic, soaring proclamation of the chorus, - "My heart has flown to you just like dove’. A little soppy maybe but the melody is beautiful and this is another great track concluding with a definite sing-along festival moment.
Verdict : A great album to listen to as a whole, (or indeed just for the odd song or two), and this could really catapult Hot Chip into the forefront of British music. The band really has delivered on their newest effort. Different, a little eccentric, massively catchy, and with some unexpected and beautifully powerful moments- ‘One Life Stand’ is definitely one to look out for in 2010.

Song Crush no.1

Strange and Beautiful - Aqualung

From 'Aqualung'





Everybody has a favourite piece of music.

This is my favourite song of all time. I know it’s quite old, I discovered it when I was about 14. I can’t really remember how I came across it but I do remember instantly falling in love. I have had a love affair with this song ever since. I rediscovered it yesterday, although it had never really disappeared from my life.
My recent ‘Music Therapy’ assignment was to bring in my favourite piece of music, and this, was mine. We then had to ascertain why it is our favourite piece...
For me, this piece has a musical quality which I can’t write in words. I find it magical (without sounding cliché or cheesy). The lyrics are just beautiful. I love the simplicity of the piano part and the simplicity of the song. Having said this, this song is obviously not simple, as I can’t really describe what is the specific attraction. I think it’s because it holds memories. Deeply personal memories and moments. Moments which people don’t discuss with each other. The quiet reflective times that happen to us all, and have, (to me anyway), a huge significance and impact on life.
I make big decisions in these times, contemplate the good things, or the bad things, and try to go on from there.
This song has got me through some difficult times. Really shit difficult times. It conjures up just about every emotion when I hear it and I think I enjoy that feeling, despite it being somewhat overwhelming.
It reminds me of people, people that I love, people I no longer love, and people that I hate. We all have an ongoing relationship with music; I have an ongoing relationship with this song.

COMEDY REVIEW : Al Pitcher


-- Birmingham Glee Club, 2nd October 2009--



-- Birmingham Glee Club, 2nd October 2009--
      Incontinence is always a concern at comedy shows. So the first positive report from the 'Al Pitcher Picture Show' is that Al allows peeing. Indeed, he is most anxious that the audience is not in for a 'long hour' of leg-crossing. This was particularly useful as your reviewer had prepped her senses with a couple of Bellini's. In and out the bladder-heavy mob trouped, yet this only added to the convivial atmosphere at the Glee Club on Friday. 
Hecklers were encouraged but not out in force... the only weak attack from a girl who 'couldn't see'. She was swiftly silenced and then referred to throughout, much to the delight of the audience. 
       From the same school of surrealist musings as Ross Noble and Eddie Izzard, kiwi Pitcher proceeded to give a lecture to Brum on er... Brum. Using pictures he had taken that afternoon whilst strolling the city centre, the audience toured an un-explored Birmingham of un-explored graffiti, publicity-shy illegal immigrants, morose balloon sellers, and the obligatory 'Mr. Egg' shot. 
      Al won over the crowd with more of a Brummie celebration than your standard ranting comedian. His good nature generated a decent rapport with the audience, fortunately not relying on cruelty to gain laughs, and the concept fitted the venue size well as it depended on intimacy and audience participation.
As Al told me after the show: 'It's just an idea that works wherever you take it'. 
Verdict: If Mr. Pitcher hits the big time as widely predicted, one wonders if the format will work well in larger venues? But for this night anyway the boy done good, concluding the evening by coaxing my friend and I into a faux lesbian display with several unexpected and instantly uploaded pictures of the audience (see Facebook!). Come back and see Brum again sometime Al, you'll be sure of a warm welcome and a kipper tie.


Going solo...

After departing from a joint blog with a dear friend of mine, I thought I'd risk it and go solo. Please forgive the imminent influx of slightly outdated reviews etc, I'm just going to upload my previous stuff and get this thing going. Enjoy xxx